12/5/2023 0 Comments Daniel webber karate kid![]() Will Ferrell doesn’t blend in with the drama that this film emulates in a wildly vivid way. This has all the drama, but no comedy, and it’s like if you told Stephen Curry to switch from basketball to baseball. This film is absolutely devoid of any comedy, despite being labeled as a comedy drama. Julia is known for VEEP, a political satire, and Ferrell is known for a flurry of comedic films, and so having these two comedic talents on screen should merit some funny moments right? Nope. And I came in expecting that to happen here, which it did, but that was the ONLY good part of the film. ![]() Generally speaking, Julia Louis-Dreyfus and Will Ferrell have the ABSOLUTE BEST chemistry. While the performances are worthwhile, the story is muddled and ruins whatever efforts are put forth to spice up a mediocre thriller at best. ![]() The Burnt Orange Heresy fails to captivate, as it shifts continually into a downward spiral, never able to regain its momentum. And so it struggles to reuse the same exact tropes that made 1984’s The Karate Kid a classic. Go Karts constantly tries to tell a unique and inspirational story, but somehow doesn’t know that it is a blatant and offensive rip off of The Karate Kid. This is like January’s Airplane Mode, but somehow worse. Here are March’s feature films released on VOD and in theaters, ranked. Due to these critical factors, a lot of great films came to theaters and VOD this month, and with those came many interesting surprises and disappointments. March easily proved to be a return to form for the film industry, with descriptive character studies, comedic political slapstick, and serious dramas pertaining to real issues in our society. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |